Four large stone fragments are aligned vertically; the spaces between them evoke an ascending path. On the upper three fragments pairs of figures seem to mirror each other. Moving closer we discover that the bodies are actually the reflected light of sunken forms, like fossils. At eye level, two powerful male bodies are folded within themselves like embryos. Their heads are bowed and their arms fall before them. As they reach out toward the other they seem barely conscious of their gesture. Are they awakening? Are they tired? Perhaps they are wounded? Our eyes are drawn upward following the diagonal fracture separating the fragments. A couple appears to be standing in a desert landscape. The ground seems to be flowing in currents, and the rough lines create an atmosphere of tumult and storm. The man stands behind the woman, his hand resting on her shoulder. Does he support her? Is she leading him? Absorbed in their own world, they are oblivious to a couple in the distance that seems to share their same fate. From afar the distant couple appears so much smaller. So do their concerns. In whom do we see ourselves? At the summit, two figures bow toward each other in recognition and respect. Peace permeates the relationship. One man stands balanced on the edge of a shoreline, or perhaps a cliff. Suspended in a cascade of flowing matter the figure on the left appears perfectly balanced, anchored to something within and yet beyond himself. Unlike war memorials, The Rabin Peace Memorial does not recall historical events. It honors the ideal of reciprocity and justice in our relations with others. The rendering of the figures in sunken relief is an acknowledgement of the second commandment. The events in the life of Yitzhak Rabin which inspired this work remind us of how difficult it can be to distinguish illusion from reality.
Jonathan Hirschfeld
To view the Daniel Pearl Memorial at Mount Sinai Cemetery by Jonathan Hirschfeld click here